improvisor | writer | producer
 

female comedians (don’t) talk about their periods

“It’s refreshing to listen to a female comic who isn’t all about periods…”

Oh my stars! A female comic NOT talking about her period? Stop. The. Presses. I haven’t heard a female comic NOT talk about her period since… Saturday night, when Jan Maree and Justine Smith performed. Or last Monday when I watched Janey Godley perform. Or at BATS when Justine and Irene Pink performed an hour of sketch comedy. Or Urzila Carlson at the First Laughs in Wellington. Or at Raw Meat Mondays at Fringe Bar where Hilaire Carmody, Danni Taylor, Roni Paul, Parekotuku Moore, Nat Britten, Holly Gooch, yours truly, and others that I don’t yet know the names of perform reasonably regularly. Or Josie Long last festival. Or Sarah Harpur and Jim Stanton in their individual shows and in their double-billing show The Comediettes.

And that’s only off the top of my head. But still! You know. It’s refreshing.

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The Wild Bride – Visually and aurally satisfying, but feminist?

On opening night we greeted the curtain call with rapturous applause and appropriately wild stomping. It is a visual and aural delight - spectacularly designed and lit, with strong performances from each of the 6 actors/musicians.

I don’t want to re-describe the premise too much, so if you’re not yet familiar with it I recommend you have a read of the festival page and check out the previously mentioned news article (see earlier post). Basically, it’s a performance based on a fairy tale alternately titled ‘The Handless Maiden’ and ‘The Girl Without Hands’ among other names, and its performers multi task brilliantly, alternating between impressive physicality (Patrycja Kujawska in particular) and stunning singing (Audrey Brisson and Stuart McLoughlin stand out in this respect). The use of paint and mud provide a real, visceral experience; the characters get dirty and messy and clean again and it’s striking, immediate and inspiring.

It’s the complete package, a wonderful start to the Festival program and well worth your time. And yet…[Spoilers after the jump]

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Complete trust, daring acrobatics – Arcane

In which two French acrobats, deliberate and calm in their movements, clamber over and around a giant double wheel structure. It’s a demonstration of physics in motion, the wheel reminding me of the gyroscopes my father made from an old bike wheel to help my sisters and I understand torque and rotational motion.

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reviewer? I hardly know her!

Amidst the hectic joy that is the Fringe Festival, I find myself about to embark on yet another new creative journey; I am, tonight, attending my first performance as a reviewer. But it is no Fringe performance I am reviewing, oh no – I prefer to bite off much more than that in my first mouthful…

The NZ International Arts Festival kicks off today and as part of my gig with Wellington Access Radio I am reviewing seven shows (plus further free performances). These reviews will be posted here and then also available as podcasts on the Access website (I’ll link to them when they’re up).

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“it’s funny cos it’s true”

[Disclaimer: This needs editing. Ima get right on that]

Being a producer of humorous arts is a joyful, rewarding ability. It makes you feel good because you feel clever, appreciated, and your talents valued. It makes other people feel good because laughing feels good. A room full of laughter is wonderful, not least because of the thrill it gives the performer. I speak from experience – I utterly adore those moments when a room is in an uproar, whether I am the performer or the audience.

Laughing together puts everyone on the same page and the best laughs, in my opinion, come from jokes that highlight some universal truth; an observation that no one had named before, and makes you burst out in a belly laugh when you realise ‘Hey! I do that!” or “Oh my god, I never noticed!”

There are, of course, other kinds of jokes. Some are ‘That makes no sense, and the nonsense makes me giggle’,  others are ‘Haha you’re making fun of yourself and you’re cute about it”. I’m sure there are more kinds, but there is one kind I’d like to address which is lazy, dangerous, and generally problematic: the “S/he is saying offensive things and we’re laughing because we’re shocked/uncomfortable/equally offensive” joke.

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i’d rather be

reading one of the hundred or so unread books on my shelf like  ’story’ or ‘coraline’ or ‘little vampire women’ or ‘alias grace’ or katherine mansfield or listening to an audio book or learning to play my new ukulele and practicing music and writing songs or going through my art supplies and craft bags and finding all my unfinished projects and picking one and finishing it and writing poetry and writing a short story and writing a novella and a play for the stage and a screenplay and a children’s book and going through my jewelry and wardrobe and stripping them back to basics and working out what i’ve done with my sunglasses and writing a proper blog post and repainting my toenails and skyping with my sisters and playing cards with friends and watching tv shows that have been recommended to me

better get started…


the end of the world as we know it (or how to change your life)

2012 is nearly here and if you’re in any way likely to consider it the end of the world… please. Seriously. You’re reading a blog written by the daughter of a physicist and as such I was raised to frown on that shit. Get some rationality into your life, yo.

Anyway. Having reflected on the year that was (see previous post) I think it’s important that I consider where I want next year to take me. There’s a few areas that I’ll cover off..

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twenty eleven, something something heaven

Inspired by Chelsea Hughes and Merrilee McCoy (who was in turn inspired by Jenny Wynter) I have been reflecting on my year. I feel the best thing about looking back is that it explains where you are; it gives you context and direction so you can either keep on charging full steam ahead or else switch lanes (or vehicles) (mixed metaphor? Don’t mind if I do).

So! Let’s see what I can remember. Thank goodness I live my life through the lens of Google Calendar…

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the produce section

This is a picture of vegetables.I seem to have cut myself an excessively large piece of production pie for 2012. Which is both pleasant and daunting.

First up is my ongoing production job, managing Wellington Improv Troupe’s weekly show at the Fringe Bar. This is coming back late January with a bit of a rebrand, so watch this space!

Then we have the Wellington Fringe Festival, where I am producing WIT’s show Battle of WITs – this will be running on Sunday nights during the festival featuring old hats and newcomers alike – it’s always a blast and should be a really good time. Hopefully I’ll take the stage at some point too :) I’m also currently assisting in the production of the Improv Diva’s latest incarnation, Divas and the Beast – the Improv Divas are a wonderful development group featuring some really inspiring players making up all sorts of magic on stage. Can’t wait!

The New Zealand International Comedy Festival follows not long after, and I’m taking on two tasks there – WIT’s All Star Micetro first and then a show by my buddy Sam Smith and his friend Sam Irwin called Play it again, Sams. Stand up and musical comedy at the Fringe Bar!

All these production schedules at once mean I am spending my mornings drowning in spreadsheets and calendars, registration forms and contracts, blurbs and budgets. The joy of arts management…


the flint podcast and community zone

Just a brief note to say Hey! Listen to this! I say words!

The Flint Podcast Episode 14

In which I interview various NZ Improv Festival participants about impro while under the influence of (probably slightly too much) alcohol. Thanks to Tim Redmond for letting me run wild!

Monday Community Zone on Wellington Access Radio

In which I hang out on Mondays with Robert Haley, NZ’s own mentalist and talk to Wellington artists about upcoming events (and occasionally have a good ramble). Podcasts of the episodes can be downloaded from the second link above.